Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining chair, 1910
George Grant Elmslie

G300

Sullivan-style design cut out of top layer of wood with second layer below; "GRAY DAYS/ & GOLD" carved in LRC; dark brown — Fretwork panel, 1913
George Grant Elmslie

G300

veneer wood panel with cut-out design, including three quarter notes; painted yellow; two brass hooks at one end; two loose chains; each 7 in. long — Screen fragment, 1928
George Grant Elmslie

Not on View

Clear rectangular panes with a blue circle at one long side and eight small colored rectangles (blues, orange, green, yellow and swirled green and pink) at opposite long side — Window, one of a pair, 1922
George Grant Elmslie

G300

Side chair, one of four, William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: John S. Bradstreet and Company — Side chair, one of four, c. 1914
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

multi-colored leaded glass with geometric design; multi-colored rectangular design bordered by off-white bands at top and bottom — Skylight panel from a set of six, 1913
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

clear glass panels with 3 circles (blue, yellow and tan streaked with white); rectangles and squares in light blue, turquoise, green, orange and yellow; received mounted in wood frame with 98.256.6.2 — Window, from a set of 12, c. 1922
George Grant Elmslie

Not on View

clear glass panels with blue circle on one side; 4 small squares opposite (green and pink swirled, white, dark blue and orange) and 3 squares at one short side (blue, orange, green) — Window, from a set of 12, c. 1922
George Grant Elmslie

Not on View

Front view architectural sketch of a boxlike building with ribbon windows; trees at edges; matted and framed. Sheet backed with coated white wove paper. Sheet is creased vertically. — Elks Club, Winona, Minnesota, 1917
George Grant Elmslie

Not on View

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining chair, 1910-1911
George Grant Elmslie

Not on View

Tall-backed chair with geometric and organic open work design on chairback; brown leather seat cover — Dining chair, 1910-1911
George Grant Elmslie

Not on View

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining chair, 1910-1911
George Grant Elmslie

Not on View

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining Chair, 1910-1911
George Grant Elmslie

Not on View

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining chair, 1910-1911
George Grant Elmslie

Not on View

rectangular window with five small rectangles in a horizontal row at top, overall linear decoration — Window, 1907-1908
George Grant Elmslie

Not on View

Clear rectangular panes with a yellow circle at one long side and eight small colored rectangles (blues, yellow, aqua, orange and swirled green and pink) at opposite long side — Window, one of pair, 1922
George Grant Elmslie

Not on View

Round table with cross-shaped centralized base; top has 12 wedges around small circle; four openwork geometric and organic designs on base; nine applied openwork decorative squares on edge of tabletop — Dining table, 1910
George Grant Elmslie

Not on View

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining chair, 1910-1911
George Grant Elmslie

Not on View

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining chair, 1910-1911
George Grant Elmslie

Not on View

Clear rectangular pane at center surrounded by an inner light orange band with alternating small blue and orange squares and an outer band of yellow with white squares at corners — Window, c. 1918-1921
George Grant Elmslie

Not on View

clear glass panels with light blue circle on one side and 8 small colored rectangles at left (light blue, yellow, rose, green, turquoise, orange and blue) — Window, from a set of 12, c. 1922
George Grant Elmslie

Not on View

clear glass panels with yellow bars and light blue, medium blue and orange squares at borders; received mounted in wood frame with 98.256.5.7 — Window, from a set of seven, c. 1922
George Grant Elmslie

Not on View

drawing of architectural detail of screen with four Prairie School-style ornamental panels; two panels in center highlighted in blue, two outer panels highlighted in orange — Railing in Chancel, c. 1915
George Grant Elmslie

Not on View

clear glass panels with blue circle; square made up of 4 small rectangles (light blue, orange and green); row of small rectangles (orange, turquoise, yellow, green and light blue) — Window, from a set of 12, c. 1922
George Grant Elmslie

Not on View

rectangular shape; removable top; block designs on 4 sides in yellow, blues, red and green leaded glass — Wall lantern from a set of three, 1913
George Grant Elmslie

Not on View

rectangular shape; block designs on 4 sides of light blue, dark blue, purple, yellow, red and green leaded glass; wall-mount design — Wall lantern from a set of three, 1913
George Grant Elmslie

Not on View

clear glass panels with blue circle off-center; light blue, green and orange squareson circle; light blue square in one corner; 4 small squares (turquoise, light blue, orange and yellow) in second corner; 3 bars (light blue, turquoise and green) in third corner — Window, from a set of 12, c. 1922
George Grant Elmslie

Not on View

clear glass panels with yellowish-brown and white streaked circle; square made up on 4 small rectangles (turquoise, blue, lilac and orange); row of small rectangles (yellow, lilac, blue, white, orange and turquoise) — Window, from a set of 12, c. 1922
George Grant Elmslie

Not on View

rectangular shape; removable top; block designs on 4 sides in yellow, blues, red and green leaded glass — Wall lantern from a set of three, 1913
George Grant Elmslie

Not on View

triangular shaped back section; rectangular leaded glass inset at top of backrest with opaque turquoise arrowhead motif; brown-red upholstery — Chair, from a six-piece dining room suite, 20th century
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

triangular shaped back section; rectangular leaded glass inset at top of backrest with blue arrowhead motif; brown-red upholstery — Chair, from a six-piece dining room suite, 20th century
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

Decorative Frieze from old Farmers and Merchants Bank, Hector Minnesota; terra cotta — Section of a frieze, 1916
George Grant Elmslie; Manufacturer: American Terra Cotta and Ceramic Company

G300

squared arms and back; the letter 'B' appears on the top of each side near the back; upholstered with grey and blue striped fabric — Armchair, 1912
William Gray Purcell; Designer: George Grant Elmslie

G300

replacement rods stored with reproduction leaves R2B4.2 — Dining table, from a six-piece dining room suite, 1915
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

Armchair, William Gray Purcell; Designer: George Grant Elmslie — Armchair, c. 1912-1913
William Gray Purcell; Designer: George Grant Elmslie

G300

Sideboard, George Grant Elmslie; Manufacturer: John S. Bradstreet and Company — Sideboard, 1915
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

green with gold letters; rectangular with vertical rectangular element with leaves and organic designs in relief at left — "Consultation Rooms" sign, c. 1908
Louis Henri Sullivan; Designer: George Grant Elmslie

G300

Chair, from a six-piece dining room suite, George Grant Elmslie; Manufacturer: John S. Bradstreet and Company — Chair, from a six-piece dining room suite, 20th century
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

Chair, from a six-piece dining room suite, George Grant Elmslie; Manufacturer: John S. Bradstreet and Company — Chair, from a six-piece dining room suite, 20th century
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

rectangular with 3 straight outer edges; top is foliated leaves in relief; central decoration in oval form in stylized plant and fruit motif ending in 2 spirals at left and right bottom — Sample cast for elevator bank decoration, c. 1916
George Grant Elmslie; Manufacturer: Crown Iron Works

G300

Ceiling light fixture, William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts) — Ceiling light fixture, 1913
William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts)

Purcell-Cutts House

lamp with rectangular, multi-colored leaded glass shade below a square wooden base, three raised bands on neck of base; has one long light-bulb — Light fixture, 1914
William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts)

G300

1/4 in. to 1 foot scale model ot the Purcell-Cutts House in two toned wood encased in a plexi vitrine on a wood plinth — Architectural model, 1997
Construct Studios; Architect: William Gray Purcell; Architect: George Grant Elmslie

G300

from the back porch of the Purcell-Cutts House; a reproduction of this window is now on view in the back porch of the Purcell-Cutts House — Ceiling light fixture, 1913
William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts)

G300

multi-colored leaded glass with geometric design; multi-colored rectangular design bordered by off-white bands at top and bottom — Skylight panel from a set of six, 1913
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides — Skylight panel from a set of six, 1913
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides — Skylight panel from a set of six, 1913
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides — Skylight panel from a set of six, 1913
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

multi-colored leaded glass with geometric design; multi-colored square bordered by off-white bands on two sides — Skylight panel from a set of six, 1913
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

rectangular metal wicket; open center with elaborate scrolls, foliate motifs and floral motifs with a grid aroudn center opening; arched opening in base; five small holes on edge of each long side; some curved motifs resemble parts of gears — Teller's wicket, National Farmers’ Bank, Owatonna, Minnesota, 1908 (recast from original 1967)
Louis Henri Sullivan; Designer: George Grant Elmslie; Caster: Gerald Bonnette

G300

Purcell-Cutts house, George Grant Elmslie; Architect: William Gray Purcell — Purcell-Cutts house, 1913
George Grant Elmslie; Architect: William Gray Purcell

Purcell-Cutts House

Armchair, William Gray Purcell; Designer: George Grant Elmslie — Armchair, c. 1911-1912
William Gray Purcell; Designer: George Grant Elmslie

Not on View

Side chair, one of four, William Gray Purcell; Designer: George Grant Elmslie — Side chair, one of four, c. 1914
William Gray Purcell; Designer: George Grant Elmslie

Not on View

master, child's bedroom — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

in bathroom — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Side chair, one of four, William Gray Purcell; Designer: George Grant Elmslie — Side chair, one of four, c. 1914
William Gray Purcell; Designer: George Grant Elmslie

Not on View

in guest room — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

in guest room — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

master, child's bedroom — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

master, child's bedroom — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

master, child's room — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

in guest room — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

in guest room — Window, Purcell-Cutts House, c. 1913
William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

from the Decker residence — Side chair, one of four, c. 1914
William Gray Purcell; Designer: George Grant Elmslie

Not on View

tan panel with two designs of scalloped leaves, buds and geometric designs; symmetrical decorations — Main building cornice panel, 1936
George Grant Elmslie; Manufacturer: Midland Terra Cotta Company, Chicago, Illinois; Modeler: Fritz Albert

Not on View

box shaped chair make of oak with medium brown stain; inset rectangles on sides and back with trim work design of intersecting lines; tall straight square back cushion and square seat cushion upholstered in dark greenish-brown corduroy fabric; four square oak feet — Armchair, c. 1914
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: possibly made by George Niedecken and Company

Not on View

Window, from a set of seven, c. 1922

George Grant Elmslie

Not on View

Window, from a set of seven, c. 1922

George Grant Elmslie

Not on View

Window, from a set of seven, c. 1922

George Grant Elmslie

Not on View

Fretwork panel, one of a pair, Purcell-Cutts House, 1913

George Grant Elmslie

Not on View

Window, from a set of seven, c. 1922

George Grant Elmslie

Not on View

Window, from a set of seven, c. 1922

George Grant Elmslie

Not on View

Window, from a set of 12, c. 1922

George Grant Elmslie

Not on View

Window, from a set of 12, c. 1922

George Grant Elmslie

Not on View

Window, from a set of 12, c. 1922

George Grant Elmslie

Not on View

Window, from a set of seven, c. 1922

George Grant Elmslie

Not on View

Window, from a set of 12, c. 1922

George Grant Elmslie

Not on View

Window, from a set of 12, c. 1922

George Grant Elmslie

Not on View

Window, from a set of 12, c. 1922

George Grant Elmslie

Not on View

Table scarf, 20th century

Attributed to George Grant Elmslie

Not on View

Table scarf, 20th century

Attributed to George Grant Elmslie

Not on View

Table scarf, 20th century

Attributed to George Grant Elmslie

Not on View

Scarf, 20th century

Attributed to George Grant Elmslie

Not on View

Carpet, 20th century

attributed to George Grant Elmslie

Not on View

Window, from the Decker House, Date Unknown

William Gray Purcell; Designer: George Grant Elmslie

Not on View

Window, from the Decker House, Date Unknown

William Gray Purcell; Designer: George Grant Elmslie

Not on View

Window, from the Decker House, Date Unknown

William Gray Purcell; Designer: George Grant Elmslie

Not on View

Window, from the Decker House, Date Unknown

William Gray Purcell; Designer: George Grant Elmslie

Not on View

Window, from the Decker House, Date Unknown

William Gray Purcell; Designer: George Grant Elmslie

Not on View

Window, from the Decker House, Date Unknown

William Gray Purcell; Designer: George Grant Elmslie

Not on View

Bookmark, c. 1915

William Gray Purcell; Designer: George Grant Elmslie

Not on View

Albert Lea Bank, c. 1921

William Gray Purcell; Artist: George Grant Elmslie

Not on View

Window, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Light Fixture, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Window, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Window, Living Room, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Window, Living Room, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Window, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Window, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

Window, Living Room, Purcell-Cutts House, c. 1913

William Gray Purcell; Designer: George Grant Elmslie

Purcell-Cutts House

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